A window façade has been covered on the inside by gypsum slabs to darken the presentation space and to create the possibility for a video to be projected. Subsequently this window façade is filmed from the outside, while a hole is being opened at the gypsum cover by using ahammer. This video is later projected onto the wall opposing the wall with the hole. Hammer, chisel and segments of the wall remain lying underneath the hole.

»Sculpting an eye« creates a stress ration: On one hand between the creation of the possibility to screen the projection and the partly destruction of it (that is yet providing the Sujet to the film). On the other hand in the failing attempt to validate the outward of the space. While the hole is recognized in the video, the space surrounding it seems unfamiliar, since it lies beyond the physically visible space.

This enactment is reminiscent of the functionality of a Camera Obscura: Yet the picture projected in the inside of the space is not the view towards outside, but the surface of „the eye“ itself. The viewers are not able to see the outward of the building, in which they are located. Their eyesight is missing the object of interest at every trial.

Also, questions asking for the location of filming arise. it traps the guests in the transposition of being viewers as well as the ones exposed to the view of a camera. Or being visitors of a scene and being accomplices and the inside and the outside of a space, at the same time. The sculpting of an eye, that is pointing towards oneself.